The eye came first. Everywhere else followed.

I picked up a camera on the street before I ever had a client. Street photography taught me to watch, to wait, and to trust a moment before I fully understood why it mattered.

That eye doesn't stay in one place, or one kind of subject. Weddings, portraits, brand work, a stranger's face that stops me mid-walk: if there's a story in it, I'll shoot it. Somewhere along the way, frames started feeling more like scenes than snapshots, and that's stayed with everything since.

Right now, the work that matters most to me is visual storytelling: documentaries, short films, music videos, anything built around a real story and the people inside it. Rwanda is home, but it's not where the stories stop.

I also hold a master's degree in computer engineering, which isn't really separate from any of this. It's the reason this platform, the booking system, the galleries, the page you're reading right now, exists the way it does: built, not bought.